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Progressive Street

  • ABOUT
  • GANG
  • FACES
  • STAFF
  • ProgressivE-zine
  • Books–PPH
  • Books SERIES
  • SHOP
  • Out Of Bounds – OOB
  • Fake World
  • NOTES From the Streets
  • PROTESTS in the World
    • 2025
    • 2024
  • FEATURED photographers
    • PHOTOS OF THE WEEK
    • PROGRESSIVE COVERS
    • STORY TIME
    • CHALLENGES
    • MATCHING MOMENTS
    • GALLERIES PDFS
  • Exhibitions
    • Exhibition
    • Exhibitions
    • Stations ... and stations ... and stations
  • Tips
  • Video
  • Index SEARCH
  • Contact
  • SPOKESPERSONS
  • ProgresFestival MAGAZINE

 "The Street is not a Studio"

I am an Israeli photographer (62), I live in Tel Aviv and work in a software company. After flirting with an initial fascination with photography and film cameras in the 1980's, I went on to pursue a career as an IT manager and put my love for the still image aside.

Fortunately, my interest never disappeared. While the passion lay dormant for decades, all it took was the gift of a camera from my wife to awaken my inclination towards photography again.

The Street is not a Studio. Sometimes I stand and wait for things to converge – a cyclist, a dancer, a child – moving along. Street Photography/Documentary is my favorite way of looking at the world.

My camera has become an integral part of me and I cannot imagine myself without it. Everywhere I go I take it with me thinking ‘maybe today will be my lucky day and I will take the photo of my life’. Via the camera lens I am constantly looking around me, searching for that ‘decisive’ moment that will never return, unless I catch it. When pushing the button, I try to make some sense, restore order to the chaotic scheme of things in the composition, tell the story behind the scene and frame a surrealistic moment. The components 'speak' with each other in a special dialogue, either by color, shape, or light. Capturing the elusive, special moment after which things will never be the same and making it eternal – that is my goal.

At a single click, I try to fill the insignificance around me with significance and  create a private and intimate hallucination in order to share it with the viewer. Even though the moment fades, it is burnt in the memory of the viewer.

I shoot independently for a few years and teach in Street Photography workshops.

 
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I have participated in many exhibitions, personal, groups and Street photography festivals, I was a judge in a number of street photography competitions and I won the first place in the Lensculture street photography singles competition for 2020.

website
 
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